So basically, LEGO is telling us that a 51-year-old, Paul Rudd, looks like a 24-year-old, Tom Holland. One of the newer instances of this face print re-use is Ant-Man’s from the War Machine Buster (76124) and Spider-Man’s from the Hydro-Man Attack (76129). How does Jeremy Renner, the actor of Hawkeye, look anything like Chris Evans, who plays Captain America? Anyways, it’s meme time! Not only did they reuse a face print from characters in the same theme, but they also used Captain America’s face from the Black Panther Pursuit (76047) and plopped it into the Tanker Truck Takedown (76067) – two sets that were in the exact same wave, in the exact same movie. However, LEGO dared to go one step further. So we got a few good memes from the LEGO community: That’s not even taking into consideration that Chris Pratt is blonde, while Sebastian Stan is brown-haired. I’m no detective, but Sebastian Stan, who plays the Winter Soldier, and Chris Pratt, who plays Star Lord, look nothing alike. In both the Black Panther Pursuit (76047) and the Super Hero Airport Battle (76051), the Winter Soldier used Star Lord’s face print, from the Guardians of the Galaxy wave, who is another Marvel character, as shown below: One of the largest controversies surrounding this subject occurred in 2016, with the debut of the Captain America: Civil War wave. I think this issue is something that affects collectors, rather than children. Please LEGO, give more of our Marvel minifigures leg printing. See, if LEGO just goes that extra mile to include leg printing, I believe that my complaining regarding this theme would decrease significantly. Especially as an army builder, we should be receiving high-quality troops if LEGO wants to save costs by reproducing these figures into most sets from the wave. Just that one, small change makes a difference. It would’ve cost LEGO only a few extra cents per set to print this detail onto the minifigure’s legs. As you can see, there is clearly golden detail on its legs. The following concept-art from Avengers: Infinity War, displays different views of this character. It’s a near-perfect army builder, except for the fact that it does not have leg printing. It has quite an accurate head, torso and back printing, with a great use of the neck attachment piece, to connect the extra arms. It is an army-building troop, appearing in both, the Avengers: Infinity War and Avengers: End Game line of sets. The above image is the Outrider minifigure. Out of my entire Marvel minifigure collection, one-third of it only has leg printing. Some of the times, it is done phenomenally, such as with the Iron Man minifigures. I’d like to start with the least controversial, yet the biggest issue that so many other LEGO Marvel fans have with this theme. So, without wasting any more time, here is my problem with LEGO Marvel. Fair warning, I will get a bit worked up. Saying that, I still want to fairly critique this theme, and I will be as honest as possible. What they do is extraordinary, and I do not wish at all to send hate their way. I also know that they are constrained by budgets, criteria, etc. My building skills cannot compare to their worst day. I speak from my own perspective and therefore do not represent other AFOLs, TFOLs, and children.įinally, I’d like to state that I do not mean to offend any of the LEGO Marvel team, especially the designers. I’ve invested a large amount of money and time (since 2015) into these sets, and I believe that I have developed an informed opinion. I am not a fake fan, nor do I want to see this theme fall. But before I do so, I’d like to add a few disclaimers. However, recently, especially in the past two years, I’ve seen a decline in the quality of this theme, and I’d like to express my opinion on it. From my past few articles, you’d assume that I am a LEGO Marvel fan. The title is a bit over the top, and I shouldn’t get worked up on this that much, but I need to call LEGO Marvel out.
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Employment in the manufacturing sector expanded four-fold from 2.5 to 10 million workers from 1880 to 1920. In 1880, workers in agriculture outnumbered industrial workers three to one, but by 1920, the numbers were approximately equal. Perhaps the most consequential change of the American industrial revolution was the increasing urbanization of society and the shift of labor from farms to factories and offices ( Guest 2005). The scale of change is illustrated by the rise in the share of manufacturing horsepower generated by electrical motors from 23% in 1909 to 77% in 1929 ( Goldin and Katz 1998: 712).Įnormous gains in industrial productivity, accompanied by institutional change and much lower transportation costs, created national markets with goods and people moving in every direction. The development of commercial electricity at the end of the 19 th century allowed industries to take advantage of the labor supply in large cities. Following the technological revolutions of the early industrial age, workshops and small foundries were supplemented by large factories engaged in mass production. Many small industries, such as grain mills and sawmills, were often located in rural areas close to flowing rivers in order to power machinery. The industrial sector, as late as 1870, consisted primarily of small firms and workshops that relied on artisan technology to produce tools, furniture, building materials, and other goods for local markets ( Abramovitz and David 2000: 45). In 1880, when the agricultural frontier had largely disappeared, almost one-half of the American workers were still farmers and only one in seven workers (less than 15%) worked in manufacturing of any sort. Theses changes were the direct result of the American industrial revolution that was founded on rising investment, employment, and productivity in the manufacturing sector. By 1920, one half of northern farms had automobiles and telephones ( Olmstead and Rhode 2000: 712–713). Many of these goods, which did not even exist a few decades earlier, were manufactured, marketed, and transported through a rapidly expanding national network of rail lines and highways. This changed dramatically in the early decades of the 20 th century, as the supply and lowered costs of manufactured goods created a consumer revolution for both urban and rural households. Except for towns that were connected to railroads or water borne shipping, isolation and the costs of overland transportation meant that many rural communities were largely self sufficient in food, clothing, and many other essentials of everyday life. Prior to the American industrial revolution, most Americans were reared in largely isolated agricultural households and small towns that were linked to the external world by horse drawn wagons ( Olmstead and Rhode 2000: 711). Within the span of a few decades from the late 19 th to the early 20 th century, the United States was transformed from a predominately rural agrarian society to an industrial economy centered in large metropolitan cities. The closing of the door to mass immigration in the 1920s did lead to increased recruitment of native born workers, particularly from the South, to northern industrial cities in the middle decades of the 20 th century. Although higher wages and better working conditions might have encouraged more long-resident native-born workers to the industrial economy, the scale and pace of the American industrial revolution might well have slowed. Immigrants and their children comprised over half of manufacturing workers in 1920, and if the third generation (the grandchildren of immigrants) are included, then more than two-thirds of workers in the manufacturing sector were of recent immigrant stock. The size and selectivity of the immigrant community, as well as their disproportionate residence in large cities, meant they were the mainstay of the American industrial workforce. In this study, we measure the contribution of immigrants and their descendents to the growth and industrial transformation of the American workforce in the age of mass immigration from 1880 to 1920. Good to know Visit Julie’s store at The Old Biscuit Mill Neighbourgoods Market on Saturdays. Visitors can expect scrumptious seafood dishes, such as tuna, yellowtail, calamari and angelfish, served with a choice of two sides) fish cakes seafood burgers and wraps, and more – all ridiculously fresh and sustainably caught. This instilled a deep love of the sea within her, and inspired her to open her own seafood restaurant and deli at The Woodstock Exchange. Ocean JewelsĪs a child, Julie Carter would watch her father return home from a day of fishing with bounty that he’d transform into tasty family meals. Where to find it 10B Kloof Nek Road, Tamboerskloof, Cape Town 5. Opening times Tuesday – Friday, 12.30pm – 2pm You’ll do well to order a smack-of-the-sea piece of grilled fish, or try a Cajun-, Moroccan-, Malay- or Creole-flavoured dish. Brightly painted orange and green walls – inside and out – imbue it with a sense of casual festivity. This converted home on bustling Kloof Nek corner is an institution among local seafood lovers. Opening times Thursday – Friday, 12pm to 2pmĬontact 0, 0, 0, to find it 24/4 Napier Street, De Waterkant, Cape Town 4. Good to know Most Saturdays, from 6pm, there’s some kind of special on offer (we love the six-oyster platter for R100) – and there’s a musician in the house.īYOB The restaurant is still unlicensed, so feel free to take your own tipples. Oh, and the red roman carpaccio for starters – a delicious, lemony serving of cured fish served with fresh peach, wild berries and radishes. The small menu changes weekly, but if it’s available, you must try the Italian-style fish and chips (deep-fried hake coated in crispy polenta crumbs, served with utterly moreish shoestring vegetable fries and tartar sauce). Opened in July 2018 by Italian chefs and friends, Nico Rovarini and Federico Rocca, it’s a popular haunt in the buzzy neighbourhood, and a welcome addition for seafood lovers. If you love your seafood packed with authentic flavours, and served by warm, passionate hosts, then you must try Riva, the (relatively) new kid on the De Waterkant block. Where to find it 213 Bree Street, Cape Town 3. Opening times Monday – Sunday, 12pm – 9pm Good to know The restaurant recently introduced Sunday brunch (11am – 2pm). Think hake ceviche with cream cheese and squid ink mayo and a fresh line-caught tuna burger with crispy onions, for example… Jack Sparrow wannabes should head to the rum bar at the back of the shop for a wide variety of grog. Scottish owners Alex and Ruth Grahame left the icy climes of Aberdeen, Scotland, where they owned a seafood restaurant, and moved to (mostly) sunny Cape Town to open SeaBreeze – a festive eatery on buzzy Bree that specialises in fresh and exciting versions of traditional fish. Where to find it 11 Lower Kloof Nek Road, Gardens, Cape Town 2. Opening times Monday – Sunday, 5.30pm – 11pm It’s slightly pricier than many, but worth every single cent. Or sink your hooks into one of the three different types of oysters served each evening, as you take in the serene, Zen-inspired surrounds. We’re talking salmon and king crab from Alaska, lobster from Maine, sea urchin from France and deep-sea scallops from Japan, to name a few, all of which receive the respect they deserve from the zealous team of chefs. Kyoto Gardenįrom USA-born Scott Wood comes this serene and sophisticated Japanese dining experience, where classic sushi favourites are plentiful, but the option to try some of the menu’s exotic seafood offerings is hard to resist. Have you been to a tasty seafood spot you think we should know about? If so, we’d love to hear your suggestions in the comments below. Whether you’re after spur-of-the-moment fish and chips on the wharf, sensitively seared scallops at a stylish innercity eatery, or mussels marinière overlooking the marina, these Cape Town restaurants are your key to the ultimate Poseidon Adventure. Seafood is Nature’s ultimate fast food, and a nautical gateway to finger-licking summer deliciousness. Splash out on the best seafood from these top Cape Town restaurants. We understand it can be overwhelming to choose a reliable MP3 converter for YouTube, given the numerous options.Īn ideal online MP3 converter tool does not deteriorate the quality of audio. 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Most of the PSP games I have tested have an address somewhere that sets the game FPS with only a single value (like a frameskip, where 60(FPS)=1(address value), 30=2, 20=3 and so on), so this is the first thing I try with a game to unlock the FPS. I did not used LunaMoo's tutorial for these games as they were super easy to find their 60 FPS code. Settings a breakpoint on sceDisplayWaitVBlankStart and sceKernelWakeupThread doesn't do anything. Nop'ing stuff makes the game run in x4 speed or just doesn't do anything at all. I tried to access that memory area with memory view and disassembly within PPSSPP but then I only see "?", not hex values. I can only activate it with cheat engine because of this. I said before that I have found a "perfect" 60 FPS cheat for Warriors Orochi 2, the problem is that the addresses are located around 07XXXXXX within PSP ram, not the 08800000 where game memory/CW cheats starts. I am pretty sure that NFS Pro Street has a 60 FPS code (these games are using the same engine) but I don't have it, so I can't add it here. 2017 Reddit /u/Kabuto_Kunį/showthread.php?tid=4799&pid=105128#pid105128 : Unlock FPS in PSP games ("easy method")į/showthread.php?tid=4799&pid=123500#pid123500 : Permanently patch a PSP game with CW cheats. UPDATE 2: I tried the same method as with the other NFS games but it doesn't work with this game. I don't know for sure about NFS Shift (the last NFS game for PSP) but if EA used the same engine for the other 5 games, then this one probably is using it too UPDATE 1: Someone found the code for this one, search for it on this thread. I am pretty sure that NFS Pro Street has a 60 FPS code (these games are using the same engine) but I don't have it so I can't add it here. Good housekeeping: Keeping the workplace clean and organized can help prevent accidents and injuries. Safe equipment: All equipment and tools must be regularly maintained and checked to ensure that they are in good working order.Īdequate lighting: Proper lighting is essential for a safe and healthy work environment, especially in areas where employees are working with heavy machinery or performing tasks that require precision. Proper training: Employees must be properly trained on how to perform their jobs safely and how to use equipment and tools correctly. There are several key factors that contribute to a safe and healthy work environment. It involves creating a safe and healthy work environment that protects employees from harm and ensures that they can perform their duties without any undue risk to their health and wellbeing. What is workplace safety?īy definition, workplace safety refers to the measures put in place to prevent accidents and injuries in the workplace. 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Serif hasn't ported Affinity to iPadOS in an elegant or particularly tablet-like way, and the screen space is crammed left, right and top, and supplemented with menus. My thought, however, is that it will be a difficult birth. Creative also means being able to use tools in ways and at times that less creative people can't. I've done a lot of work on my iPhone in cramped or limited conditions. It can pull images from my cameras, for example, and its own images can even be used from time to time. Compatible with Photoshop, Lightroom, Affinity Photo, and more. It's a great luxury to be able to open files from iCloud that originate from the iPad or Mac versions and make corrections and additions.īut there's so much more I can do from my iPhone, even though the space isn't great. Version 2024 will take Photo RAWs performance to new heights with. I've used a lot of graphic apps on my iPhone when I've been in places where I can't use my iPad Pro or Mac. And when version cycles last for years, this represents incredible value for money. This means you pay a one-off fee and receive software updates for the duration of the current version (V1). Many people don't realise how many others use every tool at their disposal creatively and diligently. Affinity Photo is available with a perpetual license for 54.99 / 47.99 on Mac and Windows or 21.99 / 19.49 for the touch-controlled iPad version. Don't wait by your phone when the next National Comedy Awards nominations are announced. What a lot of ridiculous and demeaning comments above in this thread. Despite M1 offering superior HW than e.g. IPad version of Affinity apps are still crippled in countless functions available on desktop. Never missed info panel on iPad? Or blend range profiles? Or fft denoise? Or clipping path for jpeg? Or editing procedural texture filters? Or you switch to portrait mode.ĭid you ever try to use frame text with touch keyboard, mark some text, and change font?Įver tried to use histogram or scope while tweaking adjustment or filter settings? Instead of fixing, Affinity introduces a new (redundant) UI by swipe gesture on layer, showing redundant UI, but not cut off. The UI for composite layers (and composite masks since V2) is cut off on iPad since day 1, and never got fixed. Anyway, the devices sure are capable of handling Affinity. And that's the only valid argument I can see: Too little estimated sales for too much work. Why wouldn't they specifically design UI for iPhone? It's not bound by the desktop UI. Serif developed UI specifically for iPad. There are Windows machines running Affinity with weaker specs than what you have on an iPhone.īesides, there are Vectornator and Amadine, which clearly are great examples of how this can be done on smaller screens in terms of UI. Download Now Built on rock solid foundations with principles of performance, stability, and lack of bloat, Affinity Photo is a professional photography tool to the very core. V1 works nicely on my iPad mini 5 (7.9'', 2019) without struggling or UI cutoff, which neither of V2 manages on a 9.5'' iPad. You get all those blockbuster anecdotes that would define his career, whether it’s those early days with his first Apple II, his first-ever multiplayer experience of DOOM, his explosive disagreement with John Carmack during Quake, the entire Daikatana debacle–including that advert–the rise and fall of Ion Storm, or the cataclysmic flooding of his house in California, where he stored all his games, career notebooks, and the id Software archive. 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Romero’s toughest task with Doom Guy was the number of stories that emerged as he wrote the book–too many for the page count he’d initially agreed to. If anything, the real challenge of telling his whole story came when deciding what to leave on the cutting room floor. You know, the only year that had a lot of really needing to know the exact dates was in 1991… when we made 13 games.” “ Doom Guy kinda doubles as an id Software game history book and an autobiography,” he says, “but we spent a lot of time making sure that the dates were absolutely correct. He has hyperthymesia, also known as “highly superior autobiographical memory,” which he sees as a blessing rather than a curse–he prefers to analyze his past rather than ruminate on it. Writing Doom Guy: Life in First Person proved more straightforward for Romero than you may imagine. 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